How to Be Alone by Jonathan Franzen

Before anything, no matter how anti-social and non-conformist you are, at some point while reading Jonathan Franzen’s collection of essays you will surely feel awkward or even ashamed for dedicating your time to a book that, by its title alone, seems like a manual for hating society. You’ve been warned.

The cover of Jonathan Franzen's How to Be Alone

Solitude in the bookstore.

Contemporary American novelist Franzen’s first non-fiction book (the only other one so far being the memoir The Discomfort Zone) is exactly what I expected it to be. I first learned about Franzen when TIME put out a cover story for him back in late 2010, which was quite a special occasion as I learned later on, because novelists have become rare subjects of magazine covers these days. That feature story left a strong impression on me. It was an intense portrait of Franzen, the literary fictionist whose passion for his craft often goes up against this contemporary, hyper-fast techno-consumerist world of ours.

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The Contemporary Bias

Economics is essentially the management of limited resources to serve unlimited wants. In that sense, economics is one answer to the essential question of how should humans deal with desire. By providing methods of maximizing resources towards the fulfillment of desires, the employment of economics implies the belief that as much of people’s wants as possible should be satisfied. Buddhists take the opposite stance. Desire leads to suffering, they say, and its elimination leads to total satisfaction, enlightenment, and nirvana.

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Nothing great happens on December 31

New Year’s Eve: the day of the year when time is most palpable. It’s the day of the year when I wrestle with my memory to recount the significant events of the previous 364 days, and invariably my memory throws back a sucker punch, flipping me around unprepared to face the bright new year. It’s the day that is always filled with tension and anxiety: tension between the past tugging at your sleeves, begging for your attention once more, and the future, inviting you to take on new opportunities and explore what you haven’t experienced; also anxiety, from the desire to have a better year ahead than the one that will soon end.

December 31 has actually looked the same for me for the past few years. People hurrying around, preparing things here and there, worrying the entire day so that they can be worry-free on the next. The streets increasingly becoming hostile with all the firecrackers flying around, and turning into a total battlefield as the clock strikes twelve. Since 2003, I’ve always spent a few minutes of New Year’s Eve just before midnight watching the skies, comparing the atmosphere of non-stop rumbling and countless flares to the footages from the Second Gulf War of anti-aircraft barrages lighting up and ripping apart the sky.

In the middle of all this action, it’s difficult to find peace, at least not in the metropolis. New Year’s Eve, as the last day of the year, personally beckons to me to be spent as a day of meditation. All the loud celebrations, through the past few years, increasingly felt phony to me, a desperate substitute for the real activity of finding meaning and purpose in the clutter of the previous twelve months. They say the firecrackers are meant to drive away evil spirits—I say that the only real evil spirits are those that reside in the unresolved predicaments of your mind.

2011 was a revolutionary year for me. It was a year full of revelations, realizations, and reprioritizations. I learned a lot, and in the process felt more ignorant. I experienced new things, and came out appreciating the darker sides of things, resolving to have more prudence and fortitude. All of these, just as in the way things should be.

Here’s to a prosperous and meaningful new year.

In Time—another wasted premise

The potential of sci-fi movies lie in their premises. Every filmmaker knows this, and every year Hollywood manufactures a stream of speculative movies constantly trying to outdo one another for the hypothetical award of Most Intriguing Premise. The point that a lot of these works seem to miss, however, is that a good premise alone does not make a great film. We’re not even talking about movies as Art here; even a for-profit-only Entertaining show needs to put in a minimum amount of serious effort, or else its audience will inevitably see through the conceit.

Move poster of In Time, showing Amanda Seyfried and Justin Timberlake holding pistols

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The cost of computing

I still remember the first computer my family ever owned. I can even recall the date when it arrived in our home: November 11, 2002. Its case was painted in the boring beige that was the cool color of computers of its time. It was powered by a capable AMD Duron processor clocked at 1.1 Ghz, with an NVIDIA TNT2 video card that could run C&C Red Alert 2 well enough but was utterly incapable of fancy new 3D games. It had 128 megabytes of RAM, and the hard disk could store 40 gigabytes. The 14-inch (or was that 15-inch?) CRT monitor that came with it had a maximum resolution of 1024 by 768 pixels. Optical mice was either not yet available then or was prohibitively expensive, so our first ever mouse was of the kind that loved to gather dust and then die.

The set was unbranded; back then, of course, I had no idea about computer brands and any computer that we could use would do. The PC was only assembled by a computer technician from parts that we had no way of knowing if they were brand new, and the machine was priced at around 23 thousand pesos.

Fast forward to September 2011, and we were buying a new computer set.

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Nineteen Eighty-Four by George Orwell

It’s slightly shameful to call myself a reader without knowing my classics, so I resolved recently to start reading more of them.I started with a book I often see referenced in essays that discuss politics and technology. Ever heard of the term ‘Orwellian’?

1984, originally Nineteen Eighty-Four, by George Orwell isn’t the first dystopian novel ever written, but it’s definitely the most famous one yet. It was published in 1949 and set in a then-future date of 1984, when after catastrophic wars and revolutions the world’s countries have consolidated into three totalitarian superstates. It follows the story of Winston Smith, a rebellious citizen of Oceania where even the slightest thought of sedition, the slightest hint of unorthodoxy, meant torture and inevitable execution. And it seems that the moment you develop anti-state sentiments, you’re doomed—with the use of ‘telescreens’ and hidden microphones in every place (even your home), the ‘Thought Police’ watches over every citizen’s actions and conversations, and they are quick to detect deviations.

An auditorium with a projected image of Big Brother, from the film 1984.

A scene from the film adaptation of the novel released in 1984

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Limitless: doesn’t live up to its ‘premise’

The problem with fictional geniuses is that they can only be as clever as their writers. Sometimes the authors can pull it off; sometimes the product ends up being so contrived that if you spot a plot hole, you feel like a genius yourself. Limitless is sufficiently entertaining, not-too-typical Hollywood fare, but it suffers from this constraint.

Poster for the movie Limitless (2011), showing three panels of mash-ups of scenes from the movie

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She Smiles by Swissy

Music is a reflection of life. It is life’s emotions distilled into beautiful harmonies, into a neat play of tempo, lyrics and melody. The challenge for the musician is to judge which sensations her art should carry. These days, the popular trend is to strive for the wild and unrestrained; the pop music of today is all about catchy tunes, infectious beats, and instant enjoyability. Then there are those artists, like Swissy, who choose to record the slower, subtler feelings of life.

It’s difficult, for anyone with even the slightest taste for beautiful images, to miss the album cover art of She Smiles among music store shelves. Its deliberate vintage appeal is unmistakable: the polished typewriter, the old camera, the lace tablecloth and other objects make up an ideal scene for a lomographic photo (indeed, the image has the discolorations typical of lomography). And the music evokes much of the same emotions this image conjures.

Swissy's She Smiles album cover art, portraying a table with a few vintage items

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Muling-Pagkatha sa Ating Bansa by Virgilio Almario

I have my own collection of reasons for choosing what books to buy when going to the bookstore without having researched beforehand, ranging from the reasonable “ooh, I’ve heard that author’s good but I’ve never considered reading her until now” to the questionable “ooh, I like the typeface on that cover design”. The reason I picked up Virgilio Almario’s Muling-Pagkatha sa Ating Bansa: O Bakit Pinakamahabang Tulay sa Buong Mundo ang Tulay Calumpit is the ‘National Artist for Literature’ tag besides the author’s name. I thought, it’s prime time to finally see for myself what these venerable writers are saying.

Muling-Pagkatha is an enlightening and inspiring collection of essays on Philippine history, language and literature. The topics touched upon are wide in scope, yet Almario convincingly and authoritatively presents his case for a renewed perspective on each topic.

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Google (re)designs

Web design is one of my more exciting interests and hobbies, and Google is among my most admired companies. While everyone’s going crazy about Google Plus lately (and lamenting the shortage of invitations), I’m here ogling at the results of a Google-wide redesign project.

The black strip at the top of the new Google homepage looked like a bug to me when I loaded the page last week, until I looked at the other elements and realized there’s something going on there. I immediately opened Google’s official blog (always a very interesting read for a corporate blog, by the way) and validated my hunch.

The new Google design versus the old one

The new Google design, next to the old design as can be seen still in the Google.com.ph homepage

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